Satyavadi Raja Harishchandra
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''Satyavadi Raja Harishchandra'' ( mr, सत्यवादी राजा हरिश्चंद्र; en, Truthful King Harishchandra) is a 1917 silent
black and white Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. ...
Indian Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asia ...
short film A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes ...
directed and produced by
Dhundiraj Govind Phalke Dhundiraj Govind Phalke (Pronunciation: ̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke, popularly known as Dadasaheb Phalke () (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema". His de ...
. The film is a shorter version of the first Indian feature film, ''
Raja Harishchandra ''Raja Harishchandra'' () is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. ''Raja Harishchandra'' features Dattatraya Damodar Dabke, Anna Salunke, Bhalc ...
'' (1913), also directed and produced by Phalke. The
intertitles In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialo ...
used in the film were in Marathi language as the film was a silent film. The film is based on the mythological story of a Hindu King
Harishchandra Harishchandra () is a legendary king of the Solar dynasty, who appears in several legends in texts such as the ''Aitareya Brahmana'', ''Mahabharata'', the ''Markandeya Purana'', and the ''Devi Bhagavata Purana''. The most famous of these storie ...
, the 36th king of the
Solar Dynasty The Solar dynasty (IAST: Suryavaṃśa or Ravivaṃśa in Sanskrit) or the Ikshvaku dynasty was founded by the legendary king Ikshvaku.Geography of Rigvedic India, M.L. Bhargava, Lucknow 1964, pp. 15-18, 46-49, 92-98, 100-/1, 136 The dynasty is ...
, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage
Vishvamitra Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mant ...
in the dream.


Plot

The film depicts the story of a Hindu King
Harishchandra Harishchandra () is a legendary king of the Solar dynasty, who appears in several legends in texts such as the ''Aitareya Brahmana'', ''Mahabharata'', the ''Markandeya Purana'', and the ''Devi Bhagavata Purana''. The most famous of these storie ...
, the 36th king of the
Solar Dynasty The Solar dynasty (IAST: Suryavaṃśa or Ravivaṃśa in Sanskrit) or the Ikshvaku dynasty was founded by the legendary king Ikshvaku.Geography of Rigvedic India, M.L. Bhargava, Lucknow 1964, pp. 15-18, 46-49, 92-98, 100-/1, 136 The dynasty is ...
. The Hindu sage
Vishwamitra Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mant ...
reminds Harishchandra of his promise of donating his kingdom, given to the sage in his dream. Known for abiding his promises, Harishchandra donates as desired by sage. Vishwamitra demands that in order to complete the act of donation, an additional amount as "Dakshina" (honorarium) should be paid. Being empty handed now, Harishchandra sells his wife Taramati, son Rohitashwa and himself to get the required amount. The king leaves for
Varanasi Varanasi (; ; also Banaras or Benares (; ), and Kashi.) is a city on the Ganges river in northern India that has a central place in the traditions of pilgrimage, death, and mourning in the Hindu world. * * * * The city has a syncretic t ...
as after donating his kingdom, it becomes the only place outside the influence of the sage. King, now taking the form of a commoner, gets tested for his morals at several incidents but pleased with his virtue; the gods and the sage restore king's former glory, and further offers heavenly abode to the king, the queen and all their subjects.


Cast

D. D. Dabke, a Marathi stage actor played the lead role of Harischandra. The female lead role of Taramati, Harischandra's wife was played by a male actor
Anna Salunke Anna Hari Salunke, also known as A. Salunke and Annasaheb Saluke, was an Indian actor who performed female roles in very early Indian cinema and also a cinematographer. He is credited as the first person to perform as a heroine in Indian cinema ...
. Phalke's son Bhalachandra was the child artist who donned the role of Rohitash, son of Harischandra. Sage Vishwamitra's role was played by G. V. Sane. The story was an adaptation from the Hindu mythology and was scripted by Ranchhodbai Udayram and Dada Saheb Phalke. Other artists in the film were: * Dattatreya Kshirsagar * Dattatreya Telang * Ganpat G. Shinde * Vishnu Hari Aundhkar * Nath T. Telang


Production

Dhundiraj Govind Phalke Dhundiraj Govind Phalke (Pronunciation: ̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke, popularly known as Dadasaheb Phalke () (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema". His de ...
, popularly addressed as a mark of respect as Dada Saheb Phalke, who eventually came to don the title "father of Indian Cinema", was the director, script writer and producer of the film. He started a studio in Dadar Main Road. He wrote the screen play, and created the sets for the film and started shooting the film himself. The film was Dada's first feature film venture of full length of the film of 3700 ft (in four reels) and it took seven months 21 days to complete the film. The film was screened at the Coronation Cinema in 1917 before invited audience of the representatives of the press and guests. The film received wide acclaim and was a commercial success. Phalke followed it up by making films such as Satyavan Savithri, Lanka Dhahan (1917), Sri Krisna Janma (1918), and Kalia Mardan (1919). Some historians believe that the presumed available prints of India's first feature film ''
Raja Harishchandra ''Raja Harishchandra'' () is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. ''Raja Harishchandra'' features Dattatraya Damodar Dabke, Anna Salunke, Bhalc ...
'' (1913) are actually of ''Satyavadi Raja Harishchandra''.


References


Bibliography

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External links

* {{Dadasaheb Phalke 1917 films Indian silent films Films about Raja Harishchandra Indian black-and-white films